Download Angie Stone mp3

Artist: Angie Stone: mp3 download    Genre(s):  R&B: Soul Other     Discography:      The Art of Love and War    Year: 2007    Tracks: 14      Stone Love    Year: 2004    Tracks: 17      Mahogany Soul    Year: 2001    Tracks: 18      Black Diamond    Year: 1999    Tracks: 15      Pure Session    Year:     Tracks: 17 A isaac Bashevis Singer, a self-taught keyboardist, and a fertile songwriter, Angie Stone's beginning claim to renown was being the lead vocalizer on Vertical Hold's smooth urban saltation track "Seems You're Much Too Busy." An R&B Top 40 hit during the summertime of 1993, it finally lED to a solo career, and her debut album Black Diamond was issued in 1999 by Arista. In sise days, Stone had unquestionably gained an old school, autobiographical vibe, exemplified by her come to lay "No More Rain (In This Cloud)," which has samples from Gladys Knight and the Pips' "Neither One of Us (Wants to Be the First to Say Goodbye)." Contributors included Lenny Kravitz and later Tribe Called Quest phallus Ali Shaheed Muhammad as producers, and Stone's ex-boyfriend D'Angelo as a vocal guest on "Everyday." Stone, a native of Columbia, SC, began vocalizing gospel music at a thomas Young years at First Nazareth Baptist Church. Her beginner, a member of a local gospel foursome, would take his only small fry to see performances by gospel singing artists such as the Singing Angels and the Gospel Keynotes. During her youth, she wrote poetry, played sports, and, after high school graduation, was offered college basketball scholarships. While working cul jobs, Stone began saving money to record her own demos at a local studio called PAW. She united Gwendolyn Chisolm and Cheryl Cook in the rap trio the Sequence, wHO recorded hits for Joe and Sylvia Robinson's Sugarhill label -- "Funk You Up," a remaking of Parliament's hit "Tear the Roof Off the Sucker" called "Funky Sound (Tear the Roof Off)," and "I Don't Need Your Love (Piece One)." Soon later, Stone was working with futuristic rappers Mantronix and rocker Lenny Kravitz and formed the neo-soul trio Vertical Hold, wHO showtime charted with the Criminal single "Summer." Besides "Seems You're Much Too Busy," the group's self-titled A&M record album spawned another charting exclusive, "ASAP." She affected to J-Records in 2001 for her second record, Mahogany Soul, and the record loony the Top 40 thanks to the pop/R&B hit "Brotha." Three years later, her third track record Stone Love became her biggest hit, with a number 14 placing. In 2004, Stone Love was issued, followed by a live recording of her superlative hits in

Mp3 music: Bert Jansch

Artist: Bert Jansch: mp3 download    Genre(s):  Jazz Folk Rock Blues     Bert Jansch's discography:      The Black Swan    Year: 2006    Tracks: 12      Bert Jansch    Year: 2004    Tracks: 15      Edge of a Dream    Year: 2002    Tracks: 11      Toy Balloon    Year: 2001    Tracks: 12      Jack Orion    Year: 2001    Tracks: 8      Birthday Blues    Year: 2001    Tracks: 12      Young Man Blues: Live in Glasgow 1962-1964    Year: 1998    Tracks: 30      Collection    Year: 1995    Tracks: 26      Thirteen Down    Year: 1980    Tracks: 13      Rosemary Lane    Year: 1971    Tracks: 13      Avocet    Year:     Tracks: 6 One of the most of import figures in contemporary British folks, Bert Jansch brought an unexcelled combination of virtuosity and eclecticism to the acoustic guitar, both as a solo act and a key penis of Pentangle. Also a talented lay maker and poignant (if ill-humoured) vocaliser, he wrote dark and thin real that recalled the folky side of Donovan, though he was much less pop-oriented than the psychedelic pop minstrel. Incorporating elements of blues, American folks, and British Isles traditional music into his playing, his influence was not but brobdingnagian in the British ethnic music scene, it as well elongated to the rock earth -- Neil Young and Jimmy Page, 2 electric guitar gonzos world Health Organization often turn to acoustic picking as well, sustain acknowledged Jansch as a major influence. Young went as far as to tell Guitar Player that Jansch did for the acoustic guitar what Jimi Hendrix did for the galvanic. A venerable elder statesperson in the U.K., he has escaped far-flung notice in the States. He has all the prerequisites for a grave cult following on the order of Nick Drake, some other musician whose sour contains definite echoes of Jansch. Innate in Scotland, Jansch vagabonded around the U.K. and Europe for a piece ahead basing himself in London in the early '60s. He made an impact on the city's kinfolk community not only for his guitar skills, only for his original songwriting, singing his possess compositions at a time when Dylan was just origin to make that practice widespread in folk music circles. Friend and fellow folksinger Anne Briggs helped Jansch acquire a narrow with Transatlantic, a small British folky label. Recorded on a single microphone and a borrowed guitar at Jansch's flat, his first album straightaway established him as a major force-out in British folk. Consisting almost exclusively of original compositions, the brooding, mournful compositions showcased his deft fingerpicking. "Needle of Death," inspired by the heroin-related death of a acquaintance, may still be his about notable makeup. Jansch gradatory to a genuine studio for his second record album, It Don't Bother Me. That LP featured some contributions from guitarist John Renbourn, and the geminate would phonograph record a joint exploit in the mid-'60s as well, Bert and John. Soon Jansch and Renbourn would be playing together as part of a five-member group, Pentangle, one of the greatest kinfolk acts of the Apostles of the sixties. Pentangle, as well featuring vocalizer Jacqui McShee and the speech rhythm incision of Danny Thompson and Terry Cox, was very much a group exploit. Of all the group members, however, Jansch was believably the most crucial, writing the charles Herbert Best original real, singing episodic lead vocals, and recording some enthralling guitar tandems with Renbourn. Jansch's increasing affair (and eventual commercial success) with Pentangle did non hateful an end to his solo vocation, although Pentangle got first priority in the late '60s and early '70s. Nicola, from 1967, was a pretty good attempt to commercialize his sound moderately with poppier material and some fuller studio arrangements. 1969's Birthday Blues was an effort more coherent with his early family recordings, and included instrumental documentation by some members of Pentangle. Rosemary Lane (1971) is acclaimed by Jansch fans as one of his finest whole caboodle. Jansch's first decennium of recording attracts the lion's parcel of interest from listeners, only he continued to phonograph recording with his instrumental skills entire. For illustration, Jancsh played in re-formed versions of Pentangle in the 1980s and '90s, spell Drag City released the widely acclaimed Black Swan in 2006.

Amy Winehouse's husband jailed for 27 months

Singer Amy Winehouse's husband was today imprisoned for trial-fixing and beating
up a former pothouse landlord.

Blake Fielder-Civil, 26, was sentenced to 27 months at Snaresbrook Crown
Court, east London, later on admitting atrocious bodily damage and perverting the
course of action of judge in a �200,000 trial-fixing plot aimed at trying to save
him from jailhouse.

Fielder-Civil and friend Michael Brown beat James King, 36, so badly in June
2006 that he needed plates fitted into his face for a broken jugal bone and
tranquil has direction.

Judge David Radford told Fielder-Civil he had behaved in a "gratuitous,
cowardly and ignominious" way.

Fielder-Civil has already served about nine months on gaol so he could be
free in four-and-a-half months if he behaves himself in prison.

Miss Winehouse was non in court today.

Fielder-Civil, who had looked calm down and relaxed throughout the hearing, showed
little emotion as the sentence was passed.

But as he was taken down to the cells by court staff at the end of the hearing
he looked up and smiled at friends and family in the front course of the
crammed world gallery and mouthed "see you shortly".

The judge said Fielder-Civil was high on alcohol and cocaine when he and
Michael Brown attacked James King outside the Macbeth Pub in Hoxton, east
London.

He aforementioned Fielder-Civil joined in the attack "out of a mistaken signified of
allegiance to your friend".

"The fact remains that in joining in that attack by kick out at Mr
King after he had already been both punched and kicked by Mr Brown you
behaved in a gratuitous, fearful and scandalous way.

"It will be of small comfort to Mr King that you did so because of your
inebriation."

The try said the attack on Mr King was "vicious and one-sided".

He rejected submission from Fielder-Civil that he be sent for intervention at a
private drug rehabilitation centre.

Judge Radford aforementioned Fielder-Civil could take advantage of these facilities on
his release.

Michael Brown, 40, of Carshalton, south London, was sentenced to a total of 33
months.

Anthony Kelly, 25, of Chalk Farm, n London, was given a custodial judgment of conviction
totalling 20 months.

And James Kennedy, 20, of Hatfield, Hertfordshire, was given a 40-week
conviction at a young offenders institute, suspended for 12 months.

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Richard Gere Commercial Causes Controversy

A controversial advertisement featuring Richard Gere promoting a new car from Fiat, will keep running despite criticism from the state-controlled Chinese media.� Watch the video by clicking ‘read more’.
In the ad, Gere drives the new Lancia Delta from Hollywood to the Himalayas and plays with Buddhist monks by placing his hands in the snow, similar to his imprint at Grauman’s Chinese Theatre in Los Angeles.
A statement released by the car manufacturer says that Gere was not cast as a “political choice” and there was no intention to “interfere with the internal political system of any country.”
Fiat also apologized to the Chinese government for any “misinterpetations of its well-established position of neutrality.”
Watch the video below.

Photo courtesy of The Weinstein Company.

Darwin Chamber

   
Artist: Darwin Chamber

   Genre(s): 
Electronic
   Techno
   

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Discography:


   
 The Ghetto Electro Chronicles

   Year: 1998   
Tracks: 11


   
 Ghettoelectro Chronicles

   Year: 1998   
Tracks: 11

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There is some confusion around the name Darwin Chamber, many people ar shy whether it is a radical or a solo creative person. The accuracy is that it all depends on the gig. Darwin Chamber is the alter ego of Mark Greenfield. Sometimes Greenfield brings another creative person into his act, sometimes he performs or produces on his have. Either way, he performs under his leg name (elysian by scientist Charles Darwin). A word of Marin County in Northern California, this producer has been active in the progressive electronic scene for more than tenner years. Just like the rest of the tube music scene's pioneers, he started eruditeness his craft on a garish keyboard in a friend's house and gradually kept moving on to more expensive equipment and more than prestigious venues.


A professional heavy technologist and bona fide "node tweaker", Chamber has earned deference on a expert level as well as a creative one. Creatively, he is acknowledged as one of the earliest contributors to the breakbeat and trip-hop sub-genres.


Chamber low gear made a advert for himself in San Francisco, but gained plenitude of recognition on the national and world music scenes in the recent '90s, even earning a nod from MTV during his flush. He released music on diverse indie labels, such as Twitch and Basssex. However, he gained the to the highest degree recognition for his uncut dismissal on Moonshine Records in 1998. Moonshine is peradventure the largest and best-known electronic tag in the state. When Chamber released the record album, called Ghetto Electro Chronicles, he united the ranks of DJ Keoki, Dieselboy, and Goldie, all of whom are Moonshine artists.





Nash, Dizzee, Maximo play The Edge

Dean Rodell

   
Artist: Dean Rodell

   Genre(s): 
Techno
   

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Discography:


   
 Empty Skin

   Year: 2004   
Tracks: 3

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John Patterson talks with Nancy Sinatra about sex, men and marriage

Sooner or later, Nancy Sinatra was bound to show up on The Sopranos. Her younger brother, Frank Jr, appeared in a memorable card game episode in the show's second season. Paulie Walnuts calls him "chairboy of the board". In the show's final season, Nancy showed up playing herself, singing an apposite composition called Big Bossman (Take My Hand). Nancy is Italian-American royalty, the daughter of the man who bestrode mid-century US popular culture - movies, records, nightclubs, even politics - like the proverbial Colossus. But, and this is a rare thing among the children of the superfamous, Nancy managed to establish for herself an entirely separate musical and cultural identity in the mid-1960s: as a pre- or proto-feminist sex kitten with claws.

And, of course, those boots.

Timed to coincide with the 10th anniversary of his death, there's an extensive campaign unfolding, conducted under the auspices of Warner Bros, to transform Frank Sinatra into a posthumous brand in the manner of such multimedia category-jumpers as Jay-Z or Jennifer Lopez. He now appears on a US postage stamp, and a new greatest hits package, called Nothing But the Best, has just been released. What's more, Frank's many movies are still with us, having just been showcased by the BFI and the TV channel TCM.

Given all this, and the enduring appeal of Ol' Blue Eyes, I have to ask: what was it like being the daughter of Frank Sinatra? More normal than you might expect, it turns out. "He wasn't quite on the map when I was a baby," says Nancy. "He was on the road all the time with the band. We were living in a flat in New Jersey when I was born. They didn't have any money. But once he hit, he really hit. Later, we moved to Hasbrouck Heights and had a lovely little house there, but you could get to the windows from the street - once people knew he lived there, they would come to get a glimpse, which worried my mother [Sinatra's first wife, Nancy Barbato] because I was a tiny little toddler, and she didn't want anybody stealing me from the front yard." This was no baseless fear: in 1963, Frank Jr, then 18, was kidnapped from a Lake Tahoe casino and released two days later, after his father paid a $250,000 ransom.

When the Hollywood studios came calling for Frank, it was time to make the move out west. "My dad found a place on Toluca Lake [in LA]. It was such a great childhood. We had this huge lake and a kayak and a little sailboat and a big raft and a rowboat." Frequent guests included comedians Jack Benny, George Burns and Gracie Allen, as well as Frank's musical director Axel Stordahl, with whom he used to play cards on the raft. "It was the only place you couldn't hear the phone."

Despite coming of age in the taboo-smashing 1960s, Nancy was, by her own account at least, a good girl. She studied music from the age of six: "I wanted to continue my classical education in college, but instead I got married, like a fool [to Tommy Sands, a now-forgotten teen idol]. Because you didn't have sex in those days if you weren't married - at least, not if you were a good girl." But, I suggest, the 60s must have afforded you many chances to be a bad girl. "Well, I wish I'd taken some of them," she says, with a hint of regret, "because then I probably wouldn't have gotten married."

When her marriage started falling apart, her father encouraged her to take up music again. "I hadn't the faintest idea, but he encouraged me to follow my musical instincts. He said to me - wise words - 'Just stay away from what I do. You'll be up for comparisons, and it'll be ridiculous.'" Her greatest blessing was to hook up with a lean, rangy, Oklahoman producer named Lee Hazlewood, who took the woman he sarcastically dubbed Nancy Nicelady, made her sing six notes below her usual register, and turned her into a gogo-booted, dyed blond sex bomb for the easily panicked mid-60s mainstream.

"Isn't it funny?" she says. "Lee used to call us Beauty and the Beast. He was very respectful and polite; he smoked, which I didn't much like, drank Chivas Regal, and he had very specific taste in clothes - his boots were always the most expensive leather or snakeskin. But he was not at all the shit-kicking hillbilly he pretended to be, this country bumpkin. He was highly intelligent, he served in Korea, and he had a well-rounded background as a DJ and a producer."

Finding a template for the Nancy and Lee project took a while. "I first did bubblegum, which I thought was kind of silly. And then, with Lee's backing, Nancy Nicelady did, I guess, the first white-girl version of what the black girls had been doing: a rebel kind of music. People like Ruth Brown and LaVern Baker, singing stuff like, 'Don't give me any shit, man, get lost!' It was that attitude we went after, 'Your cash ain't nothin' but trash!' I grew up listening to all of that."

The finest fruit of this collaboration - belatedly recognised as a groundbreaking sound - was the album Nancy and Lee, which to the untutored ear can sound like a series of duets between Debbie Harry and Iggy Pop. Then there was Nancy's imperishable appearance on TV show Hullaballoo: alongside a bevy of gyrating cuties in knee-high boots and thigh-length sweaters, she purred the lyrics: "These boots are made for walkin' ... "

For a while, she was a ubiquitous presence in a cultural scene that now seems to have toppled straight out of an Austin Powers movie. She sang the theme song for You Only Live Twice. She co-starred in Speedway with Elvis Presley, whom she'd nervously picked up from the airport when he arrived back in Hollywood from the army, en route to a Frank Sinatra TV special ("I was like every girl my age - head over heels in love!"). She and Frank had a huge hit in 1966 with Something Stupid: "Some people call that the Incest Song, which I think is, well, very sweet!" And she starred in The Wild Angels with fellow top-drawer Hollywood brat Peter Fonda ("I called him Peter Honda"), and in The Man From UNCLE, as Coco Cool.

By that point, she was the most popular pinup for the GIs in Vietnam. She would often go on tour in the war zone, and has kept faith with survivors of the war, especially victims of Agent Orange: "My heart was there from the start. When you're anti-war and everyone in your generation is running away from it - or being drafted, or coming back wounded, or not coming back at all - you want to get involved in some way. I don't think it's a contradiction to be anti-war and pro-troops. And here we are all over again."

She still attends the annual Rolling Thunder Ride, a motorcycle gathering of mainly Vietnam vets in Washington DC, and even met George Bush at the White House: "Eight of us on four bikes roared up the White House driveway!" Bush was polite, but didn't earn Nancy's respect. "We were so let down because he made promises - 'We will get on this' - and the Secretary of Veterans Affairs was the same. And nothing happened." She tells me about a friend's daughter, poisoned by Agent Orange: half a face at birth, 60 reconstructive surgeries, eye sockets rebuilt. "And you know what her father got as government compensation for Agent Orange? Forty-two dollars! It just isn't right."

Today - after Morrissey ("a good and true friend") tapped her for London's 2004 Meltdown festival, after Quentin Tarantino resurrected her cool credentials by using her version of Bang Bang in Kill Bill, and after her 2004 Nancy Sinatra album (with Morrissey, Sonic Youth and Calexico) - Nancy has become an icon across many demographics: retro-hipsters, 60s archaeologists, record-production geeks and gay men. No one would doubt that she is her own kind of Sinatra. And she did it her way.

· Nothing But the Best is out now on Reprise.


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